First of all, the contest is now closed, and a winner of four signed Shifters books and a chocolate can has been drawn. The winner is:
Susy, who wrote...
Never heard about these books until now, but I promise to read them with great affection!Susy, please email me (rachelATrachelvincentDOTcom) with your full name and mailing address, and I'll put your prizes in the mail.
Now for more Q&A!
Melina said...
I love both of your series. :D But for the shifters series, how did you come up with the idea to start the book? And was there ever a time in the writing process where you kept a distance from your work and then get back to it later?Um… when I sat down to write Stray, I knew I wanted to write about shapeshifters (I love the inner beast motif) but had nothing to add to werewolf lore. And I love cats. And so my werecats were born. ;-)
As for the second part of your question (was there ever a time when I kept a distance from my work, then got back to it later), I’m not sure what you mean. Do you mean during the rough draft? Did I stop and take a break during the original composition for some distance, then go back to it? If so, the answer is no. I never intentionally take a break during a rough draft, because I then I become disconnected from the world I was writing from, and must read through everything written so far to get back to that “place” when I’m ready to write in it again.
Also, taking breaks makes me feel like the draft is taking too long to write, which messes with my sense of pacing. And I don’t like that.
However, sometimes I have to take breaks from a rough draft to do edits on another book (or to move to San Antonio ;-)), and it’s always really hard to get back into the story.
But I do try to take a break between finishing a rough draft and re-writing the book. That’s healthy, for perspective. ;-)
Anna said…
I just wanted to know how you know what needs to go into your books to make the story right. Is it some instinct I lack? Or is it me being stupid and asking questions that don't even make sense?Um… at this point in my career, having written twelve novels, yes, a bit of it is instinct. But in the beginning, it was a lot of guess and check. I’d write whatever came to me (I didn’t become a plotter until
Pride), then do a whole lot of clean up afterward, tightening and restructuring. And taking out what didn’t need to be there.
Stray is a bit long because I didn’t really know how to do that then. But I got better. ;-)
I really don’t have a solution to your problem, unfortunately. It boils down to the fact that writing is very hard work. But aspects of it really do get easier with practice.
Jeffrey Lloyd said...
I know you probably have no input over this and it should be aimed at the publishing houses but, why are Urban Fantasy books so short in general compared to other genres (fantasy/sci-fi and most mystery)?Actually, Urban Fantasy
isn’t short, compared to other genres. In fact, it’s long compared to romance and traditional mystery. But it is shorter than high fantasy, because urban fantasy doesn’t typically require the world building that a novel set in another world requires, which saves word/page count. And a lot of it has to do with expectations. Most urban fantasy readers (as far as I know) come to the genre from romance, horror, or suspense/action (or from uf-like movies and TV shows) and often those readers don’t have the patience for 800 pages of world building/species history.
Casse AKA Catholic Kittie said...
I was reading the Alerts on RWA website on Harlequin and how does that effect you, or does it at all?Honestly, I have no idea, and I’m really tired of the whole mess. But I’m hoping that it won’t affect me much at all. Except for the fact that my books are no longer eligible to enter into the Ritas. Which, honestly, doesn’t really bother me. I’ve never entered a writing contest in my life.
Nikki said...
My question to you […] is about Kaci's character. I am curious with her being so young and still with 2 more books coming out, could she possibly have her own shifter series in the future and possibly keeping the Sander's family involved.Originally, I thought I’d write my first YA books about Kaci, in the werecat world, but when I sat down to do it, I couldn’t find the story. I’m not going to say that’ll never happen, but right now, I’m not planning a series from her perspective. But I am thrilled that you like the world and characters enough to want the Shifters series to go on. ;-)
Kayleigh said…
How hard was it at first to write everyday, no matter what, when you had a deadline? Any tips on how to do this/how you did it? (I'm asking because I'm doing NaNoWriMo.)Honestly, I’ve never really had trouble sitting down and writing every day. In fact, on days when I can’t because of personal obligations, I sometimes go into writing withdrawal. I’m driven to write, to the point that I sometimes wonder if it’s unhealthy. But I think I’ll enjoy a good reading break when I finally get on top of my deadlines this time. ;-)
Emily said…
When you were planning your novels, how did you begin. Do you write a bit about each character first? Or do you figure out the plot? Oh and how did you come up with the idea for the Soul Screamers novels? ( I hope I got the name write) Because I want to write a book and I always get stuck on the planning :PWith the first book in a series, the main character always comes first for me. Sometimes I’ll sketch out a character bio, just to hash out he details. Then I figure out what she’s up to, and who’s with her. But for subsequent books in the series, most of the characters are already in place, so the plot takes up most of my plotting time.
As for how I came up with the idea for Soul Screamers, I was buried in research, looking for some element of fantasy or folklore that hadn’t already been thoroughly explored by existing books in the genre. The more I read about bean sidhes, the more I liked the idea, but in order to have a story, I had to make all that screaming mean something. And the soul screamers were born. ;-)